Sunday, January 21, 2007

Boss, Baga?

Signboards... too many of them"


"Boss, Baga?"

As I cycled back to Saligao on a leisurly Sunday evening, with Aren chattering in the front of my exer-cycle, I realised someone was asking me for directions. The guy was on a motorcycle.

Two decades after grumbling that Goa doesn't have adequate road-signs, we are just there... with still no adequate sign-boards.

Somewhere along the way, a beginning was made. But if you're cycnical (like I am sometimes), you would say it was only an attempt at giving some crumbs to political supporters of the government of the day.

Meanwhile, the 2.5 million claimed (claimed, because Goa hardly has any set of reliable statistics on this) tourists visiting Goa each year... and even locals travelling in another part of the state... have to just keep fumbling for directions in this pocket handkerchief-sized state!

[Photo above shows commercial billboards... we have enough and more of these ... causing unneeded visual pollution.]

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Friday, January 19, 2007

Missed opportunities, journalistic regrets, and Cap'n Crunch

Journalistic regrets? One thing I could always kick myself for is having run into Cap'n Crunch aka John Draper (many years back) both at a payphone booth in Goa at Calangute and at Porvorim (where Ricky's office was then located).... and not realising the role this man had played in the history of technology. The Wall Street Journal has a nice story titled. The Twlight Years of Cap'n Crunch: Silicon Valley legend John Draper made his name with brains and branks, before slipping to the margins:

In the decades since Mr. Draper gained fame for his hacking skills as a "phone phreak" -- he once claimed to have gotten then-President Nixon on the phone -- Silicon Valley has aged and matured. Pioneers that Mr. Draper worked with, such as Apple's Steve Jobs, have gone on to become wealthy members of the business establishment.

THEN THERE is "Cap'n Crunch," part of an aging community of high-tech wunderkinds. Once tolerated, even embraced, for his eccentricities, Mr. Draper now lives on the margins of this affluent world, still striving to carve out a role in the businessmain stream.

Although his appearance and hand-to-mouth existence belie it, Mr. Draper developed one of the first word-processing programs as well as the technology that made possible voice-activated telephone menus. He receives invitations to speak to foreign governments and international conferences. At a recent celebration of Apple Inc.'s 30th anniversary, Mr. Draper, sporting a straggly beard, stood to contribute a story, causing the room to break into applause.

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Thursday, January 18, 2007

WilliamDrums... and three MP3s

WilliamDrums aka William D'Souza <williamdrums at yahoo.com> is a well-rated drummer, going by what prominent fellow musicians say. He recently sent me three MP3 files. Interesting stuff!

The first is called Blue Fuse and was performed on Guitar Jaggi that is broadcast from BPLRadio Indigo. It involved the work of Chennai based bassist Prakash David and Mapusa-based Williams on the drums. It's a live recording done at the M.F. Hussein's Art Gallery in Bangalore during 2004

Next was Demo Five, another version of Dave Brubeck's Take Five. Says William: "What I've done is I've sung a different tune on the same chord structures with me using my musical toybat to recite my Indian format and also playing drums with Jaggi Guitarist and Prakash David on bass."

Finally, the third is called Evergreen, and is from an album by Gerard Machado's Network, released by BMG Crescendo. Musicians involved were Gerard Machado on the guitair, Freddy Melville on piano, Prakash Hule (nephew of Gerard Machado, presently in the US as bassist) and William himself on drums soloing on the song using "Indian carnatic style konnokol (rythum spoken)."

He also mentioned a CD of his performances with international bands that came down to Goa, back in 1979-80, called the Anjuna Jamm Band.

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WilliamDrums... and three MP3s

WilliamDrums aka William D'Souza <williamdrums at yahoo.com> is a well-rated drummer, going by what prominent fellow musicians say. He recently sent me three MP3 files. Interesting stuff!

The first is called Blue Fuse and was performed on Guitar Jaggi that is broadcast from BPLRadio Indigo. It involved the work of Chennai based bassist Prakash David and Mapusa-based Williams on the drums. It's a live recording done at the M.F. Hussein's Art Gallery in Bangalore during 2004

Next was Demo Five, another version of Dave Brubeck's Take Five. Says William: "What I've done is I've sung a different tune on the same chord structures with me using my musical toybat to recite my Indian format and also playing drums with Jaggi Guitarist and Prakash David on bass."

Finally, the third is called Evergreen, and is from an album by Gerard Machado's Network, released by BMG Crescendo. Musicians involved were Gerard Machado on the guitair, Freddy Melville on piano, Prakash Hule (nephew of Gerard Machado, presently in the US as bassist) and William himself on drums soloing on the song using "Indian carnatic style konnokol (rythum spoken)."

He also mentioned a CD of his performances with international bands that came down to Goa, back in 1979-80, called the Anjuna Jamm Band.

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Sunday, January 14, 2007

Oh, rats!

Tom and Jerry (MGM) - Wikipedia, the free encyclopedia

Riza (8) was narrating this little funny to us all, about her brother Aren (3).

I suspect she's feeling shy to write about it in her blog ... and she does think twice about the impact of any potentially-embarassing information "leaked out". She does let things slip sometimes, though :-)

The kids have been watching a lot of TV these days... which is obviously, not a good thing.

Tom and Jerry (MGM), has turned into one of Aren's favourite. Who doesn't know of the series of theatrical animated cartoons produced by Metro-Goldwyn-Mayer, featuring a cat and a mouse? Not if you're thoroughly cartoonolised, like us here. Indian animation is slowly just building up, and Goan animation...? Forget about it!

Riza claims Aren got to asking her, "Riza, can you get a Jerry for me?" (He talks in a sing-song way, and can be realllly polite and charming, if he wants to.)

With a broad grin, Riza narrates that she simply told him: "Aren, we already have so many Jerries (rats) in our house!"

Yeah, fighting the rat population in this part of the globe can indeed be quite a challenge. We even discussed this issue even on Goanet in the past. Expats think it's a joke, I guess.

One can still laugh when one sees some of the answers here and here. To be fair, Goanetter Gabe Menezes was kind enough to get a tiny device that is meant to create an electronic noise and chase away these not-so-charming Jerries. Rahul Alvares, a nature enthusiast from the neighbouring village of Parra, who has 'pet' snakes to feed, was helping us with sourcing the right 'traps', so that he would get occasional food for the creepy-crawlies at his home. This works upto a point; the rats start gnawing at the cages (successfully) and you also need patience to keep on at it! Okay, can't blame anyone here....

Wikipedia says: Rat is the term generally and indiscriminately applied to numerous members of several rodentfamilies having bodies longer than about 12 cm, or 5 inches (Smallerthin-tailed rodents are just as often indiscriminately referred to as mice).[1] In scientific usage, a rat is any one of about 56 different species of small, omnivorous rodents belonging to the genus Rattus.

Some more Wikipedia facts:

By most standards, rats are considered pests or vermin.They can be very destructive to crops and property. Rats can quicklyoverpopulate when they live in a place where they have no predators,such as in certain cities, and their numbers can become hard tocontain. Because of this, the entire province of Alberta, Canada has upheld and maintained a rat-free status since the early 1950s; it is even illegal to keep pet rats there.

Rats have a significant impact on food production. Estimates vary,but it is likely that anything between one-fifth and one-third of theworld's total food output is eaten, spoiled or destroyed by rats andother rodents.

Rats can carry over thirty different diseases dangerous to humans, including Weil's disease, typhus, salmonella and bubonic plague. Black rats are suspected to have had a role in the Black Death, an epidemic which killed at least 75 million people in Europe, the Middle East, and Asia in the mid-late 14th century.

A variety of rat control methods have been used throughout humanhistory to either reduce or eliminate rat populations in homes,markets, farms, and industrial sites. The two most widely used methodsare rat poison and rat traps, though cats and dogs have also been employed to hunt rats. Professional rat-catchers can be found in many developing countries.

Because rats are nocturnal, daytime sightings of rat activity canmean that their nesting areas have been disturbed or, more likely, that there is overpopulation of them in the local area. It is typically at this point that vermin control measures tend to increase.

Rats often chew electrical cables. Around 26% of all electrical cable breaks are caused by rats, and around 18% of all phone cable breaks. Around 25% of all fires of unknown origin are estimated to becaused by rats.

Rats, particularly roof rats (Rattus rattus), can enter theattics of homes where they mate and nest. This problem occurs commonly in coastal, temperate climates and affects even the cleanest, well-kept homes.

Oh, it seems like they've got a very bad press!

But, for now, the challenge is to get Riza to narrate this story ... in her own words, on her own blog. Maybe I should try more determinedly when she's back from school tomorrow. Christmas has been one big blur of parties for the kids (okay, they're only kids once!) what with their grandmum and uncle down from Mumbai.

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Looking at Goa’s heritage… in its various shapes

One of my favourite Goa-related journals was released the other day. Parmal. It's latest issue has on its cover this photo showing traditionally-attired Goan Hindu young women at a festive celebration. Parmal is published by the Goa Heritage Action Group, and calls itself "an annual publication brought to you by the GHAG, an NGO (non-governmental organisation) based in Goa dedicated to the preservation, protection and conservation of Goa's natural, cultural and man-made heritage".

Prava Rai is Parmal's editor. She does a great job of it. It fits in with my view that some of the so-called "non-Goans" (and returned expats) are among those who are contributing the most significantly to Goan society today. The simplistic barrage against them notwithstanding.

Prava says in the editorial: "The danger of equating heritage with identity fosters untenable claims to the bones, belongings, riddles and the refuse of every forbear into the mists of time: ipossible claims in the face of historical reality."

My view of the GHAG is that it tends to be a bit elitist in nature. Sometimes. This places it somewhat closer-to-comfort to the Establishment than it perhaps should be, and blocks it from taking more strong, campaign-oriented stands. But, on the positive side, it helps them get an official hearing. Sometimes. Their approach also means they do a great job to generate content that has much relevance to the debate about Goa.

This issue contains articles, among others, focussed on the mother goddess cult (by Portuguese studies specialist Ana Paula Lopes da Silva Damas Fita), the feminine space in Goan houses (architecture writer Heta Pandit), sacred groves (field ecologist Nirmal Kulkarni), the Fontainhas Festival of the Arts (artist and journalist Deviprasad C Rao), Goan residential architecture (Sanskrit scholar and prof of theology Jose Pereira), the parish churches of Goa (civil engineer-turned-author and Goalogist Jose Lourenco), the legacy of the house of Menezes Braganca (sociologist Nishtha Desai), forgetting Pio Gama Pinto (by SOAS-London educated researcher Rochelle Pinto), and Mumbai-based freelance writer Veena Gomes-Patwardhan's The Stars of Yesterday (from the Konkani stage).

If you'll allow me to brag a little (which is what one is usually doing!), we managed to point to the interesting ideas of some writers by having them e-published on Goanet Reader... and Parmal/Prava did a good job of following up. Of course, we should be doing far, far more on this front....

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